Out of all your books, which one is your favourite?
It varies. I would have to say that it is probably Harry Potter and the Prisoner of Azkaban, although at the moment—it is unfair of me to say it—Harry Potter and the Half Blood Prince is my favourite book. Sorry. I am the only one who has read it and I think it is rather good. I am normally like this when I write a book. Usually when I am just over halfway I normally love it, but by the time I finish it I completely despise it and think it is worthless rubbish. At the moment, I really like how the sixth book is going. A lot happens in the sixth book and a lot of questions are answered. I really have a sense that we are nearly there and it is time for answers, not more questions and clues, although obviously there are a few clues as I am not quite finished yet. I hope that that is sufficiently frustrating for you, knowing that you can’t read it yet!
All the paintings we have seen at Hogwarts are of dead people. They seem to be living through their portraits. How is this so? If there was a painting of Harry’s parents, would he be able to obtain advice from them?
That is a very good question. They are all of dead people; they are not as fully realised as ghosts, as you have probably noticed. The place where you see them really talk is in Dumbledore’s office, primarily; the idea is that the previous headmasters and headmistresses leave behind a faint imprint of themselves. They leave their aura, almost, in the office and they can give some counsel to the present occupant, but it is not like being a ghost. They repeat catchphrases, almost. The portrait of Sirius’ mother is not a very 3D personality; she is not very fully realised. She repeats catchphrases that she had when she was alive. If Harry had a portrait of his parents it would not help him a great deal. If he could meet them as ghosts, that would be a much more meaningful interaction, but as Nick explained at the end of Phoenix—I am straying into dangerous territory, but I think you probably know what he explained—there are some people who would not come back as ghosts because they are unafraid, or less afraid, of death.
Is Aunt Petunia a Squib?
Good question. No, she is not, but—[Laughter]. No, she is not a Squib. She is a Muggle, but—[Laughter]. You will have to read the other books. You might have got the impression that there is a little bit more to Aunt Petunia than meets the eye, and you will find out what it is. She is not a squib, although that is a very good guess. Oh, I am giving a lot away here. I am being shockingly indiscreet.
In your stories, will Harry Potter ever grow up as a wizard?
Well, I don’t think it is giving too much away to say that he will survive to book seven, mainly because I do not want to be strangled by you lot, but I am not going to say whether he grows any older than that because I have never said that. You are good at putting me on the spot!
Are any of your characters based on real people?
The only character who is deliberately based on a real person is Gilderoy Lockhart. [Laughter]. Maybe he is not the one that you would think of, but I have to say that the living model was worse. [Laughter]. He was a shocker! The lies that he told about adventures that he’d had, things he’d done and impressive acts that he had committed… He was a shocking man. I can say this quite freely because he will never in a million years dream that he is Gilderoy Lockhart. I am always frightened that he is going to turn up one day. He is just one of those people from your past whom you feel you have never quite shaken off. I will look up one day at a signing and he will say, “Hello, Jo”. [Laughter]. Other people have contributed the odd characteristic, such as a nose, to a character, but the only character who I sat down and thought that I would base on someone is Gilderoy Lockhart. It made up for having to endure him for two solid years.
What form does Dumbledore’s Patronus take?
Good question. Can anyone guess? You have had a clue. There was a little whisper there. It is a phoenix, which is very representative of Dumbledore for reasons that I am sure you can guess.
What will the seventh book be called?
I think you have been put up to that. [Laughter]. I was asked about Harry Potter and the Order of the Phoenix live on American television by a boy who was just as good looking as you and just as cute. I just said it. I had said no to all the journalists, then a little boy just like you put up his hand and said, “What is the name of the next book?” I said, “Harry Potter and the Order of the Phoenix”! But I am not going to tell you, I’m sorry. You have no idea of the trouble that I would be in if I did. My agent would have me hunted down and killed, so I am not going to say.
Ooh—you are getting good. Why do you think that it is Aberforth? [Audience member: Various clues. He smells of goats and he looks a bit like Dumbledore]. I was quite proud of that clue. That is all that I am going to say. [Laughter]. Well yes, obviously. I like the goat clue—I sniggered to myself about that one.
Are you happy with the films that have been made?
I am happy with the films. Of the three, Azkaban is my favourite. I thought it was really good for a lot of different reasons. I thought that Alfonso Cuaron, the director, did a fantastic job and Dan, Emma and Rupert, who play Harry, Hermione and Ron, were really wonderful in the film—I told them that.
How do you make up the weird names for the potions?
Sometimes invention gives out. I was writing the latest chapter of Harry Potter and the Half Blood Prince and I needed to come up with another name for another potion. I sat for ten minutes at the keyboard then I just typed “X”. I thought, “I’ll go back and fill that in later.” Sometimes you really want to get on with the story. Sometimes names just come to you, which is a great feeling, but sometimes it is difficult and you have to batter your brain for a while. Sometimes it comes to you while you are washing up or on the loo or something. My husband is quite used to me saying, “Wait!” then running up stairs and writing something down.
Who was the first character that you invented?
Harry. He really is the whole story. The whole plot is contained in Harry Potter; his past, present and future—that is the story. Harry came to me first and everything radiated out from him. I gave him his parents, then his past, then Hogwarts, and the wizarding world got bigger and bigger. He was the starting point.
Does Hermione have any brothers or sisters?
No, she doesn’t. When I first made up Hermione I gave her a younger sister, but she was very hard to work in. The younger sister was not supposed to go to Hogwarts. She was supposed to remain a Muggle. It was a sideline that didn’t work very well and it did not have a big place in the story. I have deliberately kept Hermione’s family in the background. You see so much of Ron’s family so I thought that I would keep Hermione’s family, by contrast, quite ordinary. They are dentists, as you know. They are a bit bemused by their odd daughter but quite proud of her all the same.
Does Harry have a godmother? If so, will she make an appearance in future books?
No, he doesn’t. I have thought this through. If Sirius had married… Sirius was too busy being a big rebel to get married. When Harry was born, it was at the very height of Voldemort fever last time so his christening was a very hurried, quiet affair with just Sirius, just the best friend. At that point it looked as if the Potters would have to go into hiding so obviously they could not do the big christening thing and invite lots of people. Sirius is the only one, unfortunately. I have got to be careful what I say there, haven’t I?
Will Ron and Hermione ever get together?
Well—[Laughter.] What do you think? [Audience member: I think they will]. I’m not going to say. I can’t say, can I? I think that, by now, I’ve given quite a lot of clues on the subject. That is all I’m going to say. You will have to read between the lines on that one.
Can you tell me more about Rita Skeeter?
I love Rita. You know when Harry walks into the Leaky Cauldron for the first time, in Harry Potter and the Philosopher’s Stone? Everyone says, “You’re back” and he realises for the first time that he is famous. In a very early draft, Rita, a journalist, was there and she ran up to him. For some reason she was called Bridget—I forget why. Anyway, she detained him too long in the Leaky Cauldron and I really needed to get him moving, so I thought that I would not put her there. As I was writing book one, I was planning the rest, and book four was supposed to be where Harry’s fame became a burden to him. It really starts to weigh on him when he is exposed to the wider wizarding world so I thought that that would be the perfect place for Rita to come in. She was still called Bridget at the time. I didn’t realise that by the time I wrote book four I would have met quite a lot of Ritas and people would assume that I was writing Rita in response to what had happened to me, which was not in fact the truth. However, I am not going to deny that writing Rita was a lot more fun having met a few people I had met. I actually quite like Rita. She is loathsome—morally, she’s horrible—but I can’t help admiring her toughness. She is very determined to do the job and there is something quite engaging about that. There is more to come on Rita. It is really enjoyable to write her and Hermione because they are such very different people. The scene in which I had Hermione, Rita and Luna together in the pub was really fun to write because they are three very different women with very different points of view. You have this very cynical journalist, you have Hermione, who is very logical, upright and good, and you have Luna, who is completely out to lunch but fantastic. I really like Luna. You have these three people who are not on each other’s wavelengths making a deal. It was fun to write.
You have probably had a lot of people trying to get information out of you about the books, but what is the strangest thing, or maybe the slyest thing, anyone has done? Have you ever slipped up?
Well, you are pretty sneaky. People ask questions like, “Will there be an eighth novel and will Harry be in it?” There are questions that I simply can’t answer. Fans are very good at that, and I have to be very awake. I think that you want to know but you don’t want to know as well. You would all like me to tell you exactly what happens in books six and seven and then to erase your memories so that you can read them. I know, because that is how I feel about things that I really enjoy. I would kind of like to do it, but at the same time I know that I would ruin it for everyone.
I thought that I would give you something though, rather than get to the end of today and think that I have not given you a lot. There are two questions that I have never been asked but that I should have been asked, if you know what I mean. If you want to speculate on anything, you should speculate on these two things, which will point you in the right direction. The first question that I have never been asked—it has probably been asked in a chatroom but no one has ever asked me—is, “Why didn’t Voldemort die?” Not, “Why did Harry live?” but, “Why didn’t Voldemort die?” The killing curse rebounded, so he should have died. Why didn’t he? At the end of Goblet of Fire he says that one or more of the steps that he took enabled him to survive. You should be wondering what he did to make sure that he did not die—I will put it that way. I don’t think that it is guessable. It may be—someone could guess it—but you should be asking yourself that question, particularly now that you know about the prophesy. I’d better stop there or I will really incriminate myself. The other question that I am surprised no one has asked me since Phoenix came out—I thought that people would—is why Dumbledore did not kill or try to kill Voldemort in the scene in the ministry. I know that I am giving a lot away to people who have not read the book. Although Dumbledore gives a kind of reason to Voldemort, it is not the real reason. When I mentioned that question to my husband—I told Neil that I was going to mention it to you—he said that it was because Dumbledore knows that there are two more books to come. As you can see, we are on the same literary wavelength. [Laughter]. That is not the answer; Dumbledore knows something slightly more profound than that. If you want to wonder about anything, I would advise you to concentrate on those two questions. That might take you a little bit further.
Will Hagrid ever succeed with his plans for his brother?
In a limited way, yes. Grawp is obviously the very stupidest thing that Hagrid ever brought home. In his long line of bringing home stupid things—Aragog, the Blast-Ended Skrewts—Grawp is the one that should have finished him off, but ironically it might be the one time that a monstrous something came good. By the next book, Grawp is a little bit more controllable. I think you got a clue to that at the end of Phoenix, because Grawp was starting to speak and to be a little bit more amenable to human contact.
How did Dumbledore get his scar in the London Underground?
You may find out one day. I am very fond of that scar.
Will we see more of Snape?
You always see a lot of Snape, because he is a gift of a character. I hesitate to say that I love him. [Audience member: I do]. You do? This is a very worrying thing. Are you thinking about Alan Rickman or about Snape? [Laughter]. Isn’t this life, though? I make this hero—Harry, obviously—and there he is on the screen, the perfect Harry, because Dan is very much as I imagine Harry, but who does every girl under the age of 15 fall in love with? Tom Felton as Draco Malfoy. Girls, stop going for the bad guy. Go for a nice man in the first place. It took me 35 years to learn that, but I am giving you that nugget free, right now, at the beginning of your love lives.
In the fifth book, Harry can see the Thestrals. Can you?
Yes, I can, definitely. That is a really good question, because it enables me to clear up a point. The letters that I’ve had about the Thestrals! Everyone has said to me that Harry saw people die before could see the Thestrals. Just to clear this up once and for all, this was not a mistake. I would be the first to say that I have made mistakes in the books, but this was not a mistake. I really thought this one through. Harry did not see his parents die. He was one year old and in a cot at the time. Although you never see that scene, I wrote it and then cut it. He didn’t see it; he was too young to appreciate it. When you find out about the Thestrals, you find that you can see them only when you really understand death in a broader sense, when you really know what it means. Someone said that Harry saw Quirrell die, but that is not true. He was unconscious when Quirrell died, in Philosopher’s Stone. He did not know until he came around that Quirrell had died when Voldemort left his body. Then you have Cedric. With Cedric, fair point. Harry had just seen Cedric die when he got back into the carriages to go back to Hogsmeade station. I thought about that at the end of Goblet, because I have known from the word go what was drawing the carriages. From Chamber of Secrets, in which there are carriages drawn by invisible things, I have known what was there. I decided that it would be an odd thing to do right at the end of a book. Anyone who has suffered a bereavement knows that there is the immediate shock but that it takes a little while to appreciate fully that you will never see that person again. Until that had happened, I did not think that Harry could see the Thestrals. That means that when he goes back, he saw these spooky things. It set the tone for Phoenix, which is a much darker book.
Snape’s ancestry is hinted at. He was a Death Eater, so clearly he is no Muggle born, because Muggle borns are not allowed to be Death Eaters, except in rare circumstances. You have some information about his ancestry there. He can see Thestrals, but in my imagination most of the older people at Hogwarts would be able to see them because, obviously, as you go through life you do lose people and understand what death is. But you must not forget that Snape was a Death Eater. He will have seen things that… Why do you love him? Why do people love Snape? I do not understand this. Again, it’s bad boy syndrome, isn’t it? It’s very depressing. [Laughter]. One of my best friends watched the film and she said, “You know who’s really attractive?” I said, “Who?” She said, “Lucius Malfoy!”
Has your original plan for the seven books changed along the way?
It has changed, but only in details. In all important respects, it has stayed the same, and the ending will be exactly what I planned before 1997. The story has taken little twists and turns that I maybe didn’t expect, but we are still on track. Each book has broadly done what it was supposed to do in taking you towards the final conclusion.
Will there be a book about Harry’s Mum and Dad, about how they became friends and how they died?
So it would be “Harry Potter: Episode One”. [Laughter]. No, but a lot of people have asked that. It is all George Lucas’s fault. You won’t need a prequel; by the time I am finished, you will know enough. I think it would be shamelessly exploitative to do that. I am sure that Mr Lucas is doing it only for artistic reasons, but in my case I think that by the time you have had the seven books you will know everything you need to know for the story.
Has Voldemort or Tom Riddle ever cared for or loved anyone?
Now, that’s a cracking question to end with—very good. No, never. [Laughter.] If he had, he couldn’t possibly be what he is. You will find out a lot more about that. It is a good question, because it leads us rather neatly to Half Blood Prince, although I repeat for the millionth time that Voldemort is not the half blood prince, which is what a lot of people thought. He is definitely, definitely not. Thank you for your excellent questions. [Applause].
You can read the full interview – and many more – in Accio Quote (www.accio-quote.org), “The Largest Archive of J.K. Rowling quotes on the web”
You are reading an article from The Rowling Library Magazine Issue 1 (November 2016).
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